{"title":"Photographs","description":"","products":[{"product_id":"exceptional-half-plate-tintype-of-a-pair-of-gentlemen-pugilists-wearing-boxing-gloves","title":"Exceptional Half Plate Tintype of a Pair of Gentlemen Pugilists Wearing Boxing Gloves","description":"(Boxing) EXCEPTIONAL HALF PLATE TINTYPE OF A PAIR OF GENTLEMEN PUGILISTS WEARING BOXING GLOVES. 6-3\/8\" X 4-1\/4\". Tintype is in excellent condition with no bends, dents, flakes, or rust; retained in the album page from a William W. Harding, Manufacturer, Philadelphia, photograph album in which it was found. The condition of the tintype is NEAR MINT. #001030","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":40753293099157,"sku":"001030","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/products\/gentlemenpugilists.01.20210214.jpg?v=1628133051"},{"product_id":"exceptional-original-d-f-barry-albumin-photograph-cabinet-card-of-crow-indian-white-bear","title":"Exceptional Original D. F. Barry Albumen Photograph Cabinet Card of Crow Indian, White Bear","description":"(Barry, D. F.) EXCEPTIONAL ORIGINAL D. F. BARRY ALBUMEN PHOTOGRAPH CABINET CARD OF CROW INDIAN, WHITE BEAR. West Superior, Wis.: D. F. Barry, Photographer, circa 1890. An exceptionally clear studio albumin photograph measuring 3-13\/16\" x 5-1\/2\" on original D. F. Barry studio mount measuring 4-1\/4\" x 6-7\/8\" depicting  Crow Indian, White Bear, in a seated portrait, wearing a patterned fabric shirt and adorned with his shell jewelry and a single feather in his unbraided hair; 1\/8\" long scratch at upper left edge of photograph; contemporary printed caption label affixed to lower margin of mount. The condition of the cabinet card is VERY FINE. Only two copies located on OCLC\/WorldCat (Denver Public Library and Montana Historical Society Library). Note: The original glass negative of this image is held by the Denver Public Library. The title \"White Bear, Crow\" is penciled on the glass; copy photo negative in same library has been cropped removing the title. RARE #001032","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":40764284698773,"sku":"001032","price":1750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/products\/whitebear.01.20210214.jpg?v=1628218919"},{"product_id":"albumen-photograph-of-a-young-kaw-woman-and-her-papoose-by-j-b-drake-ponca-city-oklahoma-territory-circa-1890","title":"Albumen Photograph of a Young Kaw Woman and her Papoose, by J. B. Drake, Ponka City, Oklahoma Territory, circa 1890","description":"(American Indian Interest) ALBUMEN PHOTOGRAPH OF A YOUNG KAW WOMAN AND HER PAPOOSE, BY J. B. DRAKE, PONCA CITY, OKLAHOMA TERRITORY, CIRCA 1890. Ponca City: J. B. Drake, circa 1890. Albumen photograph, measuring 3-7\/8\" x 5-7\/8\", on card mount, measuring 6-1\/2\" x 8-1\/2\", with decorative border designs printed in brown, and \"Drake, Ground Floor Studio, Ponca City, O. T.\" printed in brown to mount verso, and \"Kaw squaw and papoosie\" written in pencil to same; mount slightly age-tanned and lightly soiled, with upper left hand corner partially creased and upper right hand corner slightly worn; photograph is in excellent condition. The condition of the photograph is NEAR FINE. RARE \u003cbr data-mce-fragment=\"1\"\u003e\"The Kaw tribe (or Kanza, or Kansa) were the predominant tribe by the mid-18th century in what became the state to which they gave their name. Treaties made with the United States government in 1825, 1846 and 1859 resulted in disease and starvation for the Kaws. Tribal population declined from several thousand to 553 in 1872 when they were moved to Indian Territory (present day Oklahoma). By 1890, the Kaw population was just 194. The Kaw Nation has survived adversity and today is a federally-recognized self-governing tribe of more than 3,100 tribal members. Administrative headquarters are in Kaw City, Oklahoma;\" Kansas Historical Society. #001081","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":41026619670677,"sku":"001081","price":425.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/products\/drakekawandpapoose.01.20210903.jpg?v=1630691456"},{"product_id":"living-photograph-of-the-united-states-flag-by-arthur-mole-and-john-thomas","title":"A \"Living Photograph\" of the United States Flag by Arthur Mole and John Thomas","description":"(Mole and Thomas) photographers. A \"LIVING PHOTOGRAPH\" OF THE UNITED STATES FLAG BY ARTHUR MOLE AND JOHN THOMAS. Great Lakes, Illinois: The Great Lakes Recruit, 1917. Patriotic and very rare vintage matte-finish 10-1\/4\" x 13-1\/4\" \"living photograph\" of an American flag with pole by Arthur Mole for Mayhart Studio, with copyright caption below reading: \"Great Lakes Recruit 1917, Navy Relief Society Distributors, Photo Mayhart Studio Chicago U.S.A.\" Taken in November 1917 at the Naval Training Station in Great Lakes, Illinois, this photo depicts a waving American flag composed of around 10,000 U.S. Navy sailors dressed in either white or navy blue uniforms. Matted and framed to an overall size of 14-7\/16\" x 18-9\/16\", with a lower plaque reading: \"'A Living Flag,' A living flag covering seven acres composed of ten thousand Blue Jackets under command of Captain W. A. Moffett, at the world's greatest Naval Training Station. Great Lakes, Illinois, November, 1917.\" In fine condition, with light silvering to the darker areas of the image. The picture was made exclusively for the December, 1917 issue of the Great Lakes Recruit. Following are some of the ground dimensions of the flag: there were 250 men in the ball and the ball was 237 feet long; the pole (not including the ball) measured 550 feet in length and required 700 men; the flag itself measured 293 feet in length at the top, 73 feet in length at the bottom, 428 feet in width at the left end and 128 feet in width at the right end; 1600 men were required for the white stripes, 1900 men for the red stripes, 1800 men for the stars and approximately 3400 men for the blue field. All in all, a pretty amazing feat to have pulled this photograph off. No copies located on OCLC\/WorldCat. RARE #000937","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":41435973812373,"sku":"000937","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/products\/moleflag.01.20201108.jpg?v=1636516466"},{"product_id":"a-superb-crystal-clear-ninth-plate-ambrotype-photograph-of-a-cute-toddler-with-subtle-hand-tinting-to-the-cheeks","title":"A Superb, Crystal Clear, Ninth Plate Ambrotype Photograph of a Cute Toddler, with Subtle Hand-Tinting to the Cheeks","description":"\u003cp\u003e(Photographs: Ambrotypes) (Photographs: Toddlers) A SUPERB, CRYSTAL CLEAR, NINTH PLATE AMBROTYPE PHOTOGRAPH OF A CUTE TODDLER, WITH SUBTLE HAND-TINTING TO THE CHEEKS. [No place]: [Publisher not identified], circa 1854. Ninth plate - 2\" x 2-1\/2\". This near mint seated portrait of a cute little toddler is housed under glass in half of a leatherette case. The condition of the ambrotype is EXCELLENT (9\/10). A unique image.\u003c\/p\u003e\n\u003cp\u003eNote: Graded on a 10 point grading scale used for prints and original works of art. 10\/10 - Mint; No damage to the print surface. 9\/10 - Excellent; Mild condition issues that are barely perceptible to the naked eye. 8\/10 - Very Fine; Mild or moderate condition issues visible under very close inspection or under raking light. 7\/10 - Fine; Mild or moderate condition issues that attract the eye under gallery lighting conditions. 6\/10 - Very Good; Moderate or mild condition issues that attract the eye under normal viewing conditions. 5\/10 - Good; Moderate or severe issues that attract the eye under normal viewing conditions and disrupt the image. 4\/10 - Fair; Moderate or severe condition issues that are immediately apparent and significantly detract from the overall look of the work. 3\/10 - Poor; Work has severe condition issues and some may be beyond repair. 2\/10 - Very Poor; Work has significant severe condition issues and beyond repair. 1\/10 - Unsellable; Work is not suitable for resale. # 001127\u003c\/p\u003e","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":42427997651093,"sku":"001127","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/products\/cutetoddler.01.20220522.jpg?v=1655580244"},{"product_id":"a-superb-quarter-plate-ambrotype-photograph-of-a-young-boy-with-subtle-hand-tinting-and-embellishing","title":"A Superb, Quarter Plate Ambrotype Photograph of a Young Boy with Subtle Hand-Tinting and Embellishing","description":"\u003cp\u003e(Photographs: Ambrotypes) (Photographs: Children) A SUPERB, QUARTER PLATE AMBROTYPE PHOTOGRAPH OF A YOUNG BOY WITH SUBTLE HAND-TINTING AND EMBELLISHING. [New York City]: [Rufus] Bacon's, 208 Bowery, circa 1856. Quarter plate - 3-1\/4\" x 4-1\/4\". This extremely clear, near mint, full length portrait of a handsome young boy is housed in half of a leatherette case under glass and a brass mat stamped \"BACON'S \/ 208 BOWERY;\" Rufus Bacon was listed as \"daguerreian and ambrotypes\" at this address in New York City directories 1856-1860. The condition of the ambrotype is EXCELLENT (9\/10). A unique image.\u003c\/p\u003e\n\u003cp\u003eNote: Graded on a 10 point grading scale used for prints and original works of art. 10\/10 - Mint; No damage to the print surface. 9\/10 - Excellent; Mild condition issues that are barely perceptible to the naked eye. 8\/10 - Very Fine; Mild or moderate condition issues visible under very close inspection or under raking light. 7\/10 - Fine; Mild or moderate condition issues that attract the eye under gallery lighting conditions. 6\/10 - Very Good; Moderate or mild condition issues that attract the eye under normal viewing conditions. 5\/10 - Good; Moderate or severe issues that attract the eye under normal viewing conditions and disrupt the image. 4\/10 - Fair; Moderate or severe condition issues that are immediately apparent and significantly detract from the overall look of the work. 3\/10 - Poor; Work has severe condition issues and some may be beyond repair. 2\/10 - Very Poor; Work has significant severe condition issues and beyond repair. 1\/10 - Unsellable; Work is not suitable for resale. # 001128\u003cbr\u003e\u003c\/p\u003e","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":42428030189717,"sku":"001128","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/products\/youngboy.01.20220522.jpg?v=1655581051"},{"product_id":"antique-stereograph-stereoview-754-shoshone-indians-at-corinne-utah-eadweard-muybridge-photographer","title":"Antique Stereograph (Stereoview) \"754 - Shoshone Indians at Corinne, [Utah],\" Eadweard Muybridge, Photographer","description":"\u003cp\u003e(Native American Interest) (Photographs: Albumen) (Photographs: Native American) ANTIQUE STEREOGRAPH (STEREOVIEW) \"754 - SHOSHONE INDIANS AT CORINNE, [UTAH],\" EADWEARD MUYBRIDGE, PHOTOGRAPHER. San Francisco: Bradley \u0026amp; Rulofson, circa 1872. FIRST EDITION. Pair of albumen photographs measuring 2-15\/16\" x 3-1\/16\" each, on original publisher's yellow card mount measuring 3-3\/8\" x 6-7\/8\" with series title, image title, photographer's name and publisher's name all printed in the margins on mount recto, and with an extensive list of the various series of \"Photographic Illustrations of the Pacific Coast\" as photographed by Eadweard Muybridge and published by Bradley \u0026amp; Rulofson. The present stereoview is No. 754 from Muybridge's \"Central Pacific Railroad\" series, and is an outdoor portrait of five Shoshone Indians all wrapped in blankets, the central figure with bow and arrow pointed straight at the camera; railroad boxcars can be seen in the background; photographs with very minor toning; mount verso with minor fading along edges but virtually no wear to either mount or photographs. The condition of the stereograph is EXCELLENT (9\/10). Only one copy located on OCLC\/WorldCat (California Historical Society). RARE\u003c\/p\u003e\n\u003cp\u003eNote: Graded on a 10 point grading scale used for prints and original works of art. 10\/10 - Mint; No damage to the print surface. 9\/10 - Excellent; Mild condition issues that are barely perceptible to the naked eye. 8\/10 - Very Fine; Mild or moderate condition issues visible under very close inspection or under raking light. 7\/10 - Fine; Mild or moderate condition issues that attract the eye under gallery lighting conditions. 6\/10 - Very Good; Moderate or mild condition issues that attract the eye under normal viewing conditions. 5\/10 - Good; Moderate or severe issues that attract the eye under normal viewing conditions and disrupt the image. 4\/10 - Fair; Moderate or severe condition issues that are immediately apparent and significantly detract from the overall look of the work. 3\/10 - Poor; Work has severe condition issues and some may be beyond repair. 2\/10 - Very Poor; Work has significant severe condition issues and beyond repair. 1\/10 - Unsellable; Work is not suitable for resale. # 001131\u003c\/p\u003e","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":42428071968917,"sku":"001131","price":3750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/products\/shoshoneindians.01.20220522.jpg?v=1655582026"},{"product_id":"rare-circa-1880-albumen-photograph-stereograph-stereoview-featuring-five-ute-chiefs-titled-in-the-negative-331-the-late-ute-chief-ouray-staff","title":"Rare Circa 1880 Albumen Photograph \"Stereograph\" (\"Stereoview\") Featuring Ute Chiefs Titled in the Negative, \"331 The Late Ute Chief Ouray \u0026 ...","description":"\u003cp\u003e(Native American Interest) (Photographs: Albumen) (Photographs: Native American) RARE CIRCA 1880 ALBUMEN PHOTOGRAPH \"STEREOGRAPH\" (\"STEREOVIEW\") FEATURING FIVE UTE CHIEFS TITLED IN THE NEGATIVE, \"331 THE LATE UTE CHIEF OURAY \u0026amp; STAFF.\" Central City, Colo.: Chas. Weitfle, circa 1880. Two 3\" x 3-3\/4\" albumen photographs on a 7\" x 3-15\/16\" Weitfle's gray card mount; mount verso with \"Weitfle's \/ Stereoscopic Views of Colorado Scenery \/ Published and for sale wholesale and retail by Chas. Weitfle, Central City Colo. . . .\" The history of this photograph is not as straight forward as one might assume appearing here on a Weitfle mount. Although published here by the photographer Chas. Weitfle, this photograph had previously been published by J. Thurlow of Manitou, Colorado. In particular, Thurlow's published stereoview was labeled \"From Hayden's Survey - No. 129. Ute Chiefs - Warency, Chavano, Ancatosh, Ouray, Guerro.\" How Weitfle obtained the photograph is well documented. \"According to the records of his estate, James Thurlow's 250 glass plate negatives were bought by Charles Weitfle.\" Stereo World Vol. 10, No. 6, p. 6. A Rocky Mountain News article from 1883 \"states that Weitfle had paid Mrs. Thurlow $1,250 for the negatives.\" ibid. Another wrinkle in the story of this photograph is that although Thurlow had titled this image \"From Hayden's Survey,\" Thurlow was not on that survey. The actual photographer on Hayden's survey was William Henry Jackson. How the photograph was acquired by Thurlow appears to lost to history. \"However, proper attribution can be made. A negative of the image 'No. 129. Ute Chiefs - Warency, Chavano, Ancatosh, Ouray, Guerro.' is on file at the Smithsonian; the negative jacket is labeled in pencil 'Negative by W. G. Chamberlain, Denver, Col. 1872.'\" ibid., p. 10; one caveat to this is that there remains a question as to whether this is actually Chamberlain's photograph, or if it was W. H. Jackson's photograph that is credited to Chamberlain, as the image was taken at a time when the two men were working together, and Jackson was the actual photographer on Hayden's surveys. One final note on this \"stereoview\": Thurlow's Indian views (Nos. 129-134) are all non-stereoscopic, but rather two exact images placed side by side on a stereoview mount, i.e., this \"stereoview\" will not form a stereoscopic image when viewed through a stereoscope; photographs with minor toning and spotting; card mount with minor edge wear and spotting. The condition of the \"stereoview\" is FINE (7\/10). RARE.\u003c\/p\u003e\n\u003cp\u003eNote: Graded on a 10 point grading scale used for prints and original works of art. 10\/10 - Mint; No damage to the print surface. 9\/10 - Excellent; Mild condition issues that are barely perceptible to the naked eye. 8\/10 - Very Fine; Mild or moderate condition issues visible under very close inspection or under raking light. 7\/10 - Fine; Mild or moderate condition issues that attract the eye under gallery lighting conditions. 6\/10 - Very Good; Moderate or mild condition issues that attract the eye under normal viewing conditions. 5\/10 - Good; Moderate or severe issues that attract the eye under normal viewing conditions and disrupt the image. 4\/10 - Fair; Moderate or severe condition issues that are immediately apparent and significantly detract from the overall look of the work. 3\/10 - Poor; Work has severe condition issues and some may be beyond repair. 2\/10 - Very Poor; Work has significant severe condition issues and beyond repair. 1\/10 - Unsellable; Work is not suitable for resale. # 001132\u003c\/p\u003e","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":42428114567317,"sku":"001132","price":775.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/products\/latechiefouray.01.20220522.jpg?v=1655583104"},{"product_id":"original-circa-1890-albumen-photograph-full-length-portrait-on-swiss-panel-mount-of-a-young-woman-with-beautiful-long-flowing-hair","title":"Original, circa 1890, Albumen Photograph Full Length Portrait on Swiss Panel Mount, of a Young Woman with Beautiful Long Flowing Hair","description":"\u003cp\u003e(Photographs: Albumen) ORIGINAL, CIRCA 1890, ALBUMEN PHOTOGRAPH FULL LENGTH PORTRAIT ON SWISS PANEL MOUNT, OF A YOUNG WOMAN WITH BEAUTIFUL LONG FLOWING HAIR. Jackson, Mich.: [John W.] Paine, circa 1890. Albumen photograph measuring 2-7\/16\" x 5-1\/2\" on photographer's card mount measuring 2-7\/8\" x 6-7\/16\" with titles printed to lower margin mount recto. A beautiful and unusual full length portrait of a young women displaying her unusually long wavy hair which comes close to reaching the floor; the format and size of the photograph perfectly compliments the subject, with the end result being a wonderful example of late 19th century vernacular photography; photo with minor spotting; mount age-tanned and with minor spotting, fading to photographer's imprint and minor damp staining along bottom edge. The condition of the Swiss panel is VERY GOOD (6\/10). Both BEAUTIFUL AND RARE format and subject matter.\u003c\/p\u003e\n\u003cp\u003eNote: Graded on a 10 point grading scale used for prints and original works of art. 10\/10 - Mint; No damage to the print surface. 9\/10 - Excellent; Mild condition issues that are barely perceptible to the naked eye. 8\/10 - Very Fine; Mild or moderate condition issues visible under very close inspection or under raking light. 7\/10 - Fine; Mild or moderate condition issues that attract the eye under gallery lighting conditions. 6\/10 - Very Good; Moderate or mild condition issues that attract the eye under normal viewing conditions. 5\/10 - Good; Moderate or severe issues that attract the eye under normal viewing conditions and disrupt the image. 4\/10 - Fair; Moderate or severe condition issues that are immediately apparent and significantly detract from the overall look of the work. 3\/10 - Poor; Work has severe condition issues and some may be beyond repair. 2\/10 - Very Poor; Work has significant severe condition issues and beyond repair. 1\/10 - Unsellable; Work is not suitable for resale. # 001134\u003c\/p\u003e","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":42428198912149,"sku":"001134","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/products\/youngwoman.01.20220522.jpg?v=1655585152"},{"product_id":"walt-disneys-living-desert-inscribed-by-walt-disney","title":"Walt Disney's Living Desert [Inscribed by Walt Disney]","description":"(Disney, Walt) WALT DISNEY'S LIVING DESERT [INSCRIBED BY WALT DISNEY]. New York: Simon and Schuster, circa 1954. FIRST AMERICAN EDITION. 4to 11-5\/8\" x 9-1\/4\". White cloth backed glazed color pictorial paper covered boards with titles stamped in gilt to spine in lovely unworn condition for what is a magnificent copy of the book. 73,[3] pp. Originally published as \"Desert Vivant. Paris: Societe Francaise du Livre, 1954.\" This title is one of the titles in Disney's True-Life Adventures series of books that were published in conjunction with Disney's True-Life Adventures series of documentary films; fourteen of these films were produced between 1948 and 1960. The film that was the basis of the book, The Living Desert, won the 1953 Academy Award for Best Documentary Feature; each page is illustrated with one or more beautiful tipped in photographic plates.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe book is INSCRIBED BY WALT DISNEY to his friends David and Caroline Wallerstein on half-title page: \"To David and Caroline, with all best, Walt Disney\". David Wallerstein had a 40-year career in the movie theater business and Disney regularly flew him to Hollywood to preview his films; Disney had said Wallerstein \"could smell a hit or a flop through a six-foot wall\", such was his gut instinct. Disney used this \"gut instinct\" as an aid in the production and marketing of his films.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe condition of the book, the inscription and the signature are FINE, SCARCE Disney title made exceptional by the signed inscription from Walt Disney to one of his personal friends and longtime business confidant. # 000800","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43238483984533,"sku":"000800","price":6600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/products\/livingdesert0120190322.jpg?v=1676242819"},{"product_id":"washington","title":"Washington","description":"(View Books) WASHINGTON. New York: Robert Voigt (Importer of Louis Glaser's Souvenir-Albums, Leipzig, Germany), circa 1890. Oblong 16mo - 4-9\/16\" x 6-3\/4\". Color pictorial stiff paper wrappers die-cut in the shape of a leaf with an embossed surface replicating the texture of a leaf with titles \"Washington\" and \"Jarvis\" stamped in gilt to front wrapper, bound at the base of the leaf with a metal fastener that allows the individual \"leaves\" to open like a fan with very minor rubbing to the edges and a crease to one lobe of the leaf on front wrapper for what is a very lovely copy of the book; sea-foam green tasseled cord attached through book's metal fastener. [5] leaves. The book contains color lithographs after photographic images of major buildings and landmarks in Washington D.C. including: a bird's eye panoramic view of the city as seen from above the U.S. Capitol; State, War and Navy Departments; the U.S. Patent Office; U.S. Treasury; west view of the Capitol; President's Mansion, including views of three of its rooms; \u0026amp; c.; internally the book is fine. The condition of the book is NEAR FINE. No copies located on OCLC\/WorldCat. RARE # 000881","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43315445268629,"sku":"000881","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/products\/washington0120191215.jpg?v=1679078338"},{"product_id":"rare-cdv-of-kit-carson-and-edwin-perrin","title":"Rare CDV of Kit Carson and Edwin Perrin","description":"(Wild West) RARE CDV OF KIT CARSON AND EDWIN PERRIN. New York: E. \u0026amp; H. T. Anthony, [1862]. 4\" x 2-3\/8\". EXCEEDINGLY RARE carte-de-visite, or CDV, of Kit Carson, at left in his Army frock coat and Edwin Perrin, seated with cane; taken in Albuquerque, New Mexico in January 1862. At the time of this photo, Carson was a colonel in the Union Army and the leader of the 1st New Mexico Volunteer Infantry. Perrin was a government expediter, sent to New Mexico in 1861 by the United States Secretary of War, Simon Cameron, on a secret mission to help arm New Mexico Civil War troops as the Union prepared for battle in the Southwestern Theater. Perrin worked closely with Carson in these efforts and remained with Carson's command in New Mexico through 1862.\u003cbr\u003e\u003cbr\u003eKit Carson became a legend in his own lifetime thanks mainly to newspaper accounts and Government reports of his work as a guide for John C. Fremont's three western expeditions. Carson's varied career would include stints as a cook, a wagon driver, a mountain man and fur trapper, an Indian fighter, an Indian agent, a wilderness guide and an United States Army officer. He was married three times; his first two wives were Native American, his third was Mexican. From his three marriages he had ten children. He is buried in Taos, New Mexico next to his third wife, Josefa Jaramillo. The condition of the CDV is NEAR FINE. As stated previously, this CDV is EXCEEDINGLY RARE. # 000712","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43344851861653,"sku":"","price":13950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/products\/kitcarsoncdv.01.09302018.jpg?v=1680280049"},{"product_id":"19th-century-photo-album-containing-96-gem-size-tintypes","title":"19th Century Photo Album Containing 96 \"Gem\" Size Tintypes","description":"(Early Photography) 19th Century Photo Album Containing 96 \"Gem\" Size Tintypes. [No place]: [Publisher not identified], circa 1860-1870. Red leather covered boards with a deep blind-stamped design to the front and back covers, spine panel with decoration and title stamped in gilt, with light rubbing to the corners and edges, light rubbing to the high spots on the back cover and minor bowing to the boards; original metal clasp fastener is intact and functioning properly for what is a lovely little 19th century photo album. [1] leaf, plus [12] thick album leaves holding a total of 96 tintypes. This is an exquisite gem size tintype photo album with 96 tintype photographs measuring approximately 3\/4\" x 1\" with approximately 5\/8\" x 13\/16\" visible through the oval openings in the album pages. The portraits run the gamut from young to old in both females and males, including infants, toddlers, young girls, young boys, girls, boys, young women, young men, women, men, elderly women and elderly men; several portraits with subtle hand-tinting to the faces. Some of the more interesting subjects are a fancily dresses little girl, a cross-eyed woman, a cross-eyed man, females with fancy hair styles and men with beards. Rare tintypes in the album include several 3\/4 length portraits, portraits of two people on the same tintype including one with a mother and daughter dressed in winter coats and with their hands in muffs, one with twin girls and one with a brother and a sister. One extremely rare tintype photograph in the album is a family portrait with five people on a single tintype.\u003cbr\u003eAccording to the National Museum of American History website, \"[t]he NMAH Photo History Collection (PHC) has over 3,000 tintype photographs dating from the beginning of the process in 1856 to the present. ... The great majority of tintype photographs are studio portraits, including the very popular \"Gem\" size (about 3\/4\" x 1\"). Almost every gem tintype in the PHC is an individual head and shoulders portraits, the only exceptions seen being a full length portrait and a head and shoulders portrait of a couple.\" One tintype photograph with a diagonal crease, the other 95 are in near pristine condition. A TRULY SINGULAR COLLECTION OF GEM SIZE TINTYPE PHOTOGRAPHS. # 001176","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43470491877525,"sku":"001176","price":2750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/gemtintypealbum.01.20230604.jpg?v=1685905950"},{"product_id":"1888-89-old-judge-n173-cabinet-card-of-chicago-catcher-charles-hoover-graded-80-ex-nm-by-sgc-pop-1-of-1","title":"1888-89 Old Judge N173 Cabinet Card of Chicago Catcher Charles Hoover Graded 80 EX\/NM by SGC (Pop 1 of 1)","description":"(Baseball) 1888-89 Old Judge N173 Cabinet Card of Chicago Catcher Charles Hoover Graded 80 EX\/NM by SGC (Pop 1 of 1). New York: Goodwin \u0026amp; Co., [1888-1889]. An exceptionally clear albumen photograph measuring 3-7\/8\" x 5-7\/16\" on an original OLD JUDGE CIGARETTES pale yellow board mount measuring 4-1\/4\" x 6-1\/2\" depicting Chicago catcher Hoover crouched behind the plate, catching a ball with his bare hands, after the ball just caught the corner of the plate. \"[T]he Old Judge Cigarettes series N173, 1887-1889 ... consists of 407 cabinet cards total ...\" -- The Metropolitan Museum of Art website. The cabinet cards were too large to include in packages of cigarettes like other 19th century tobacco cards. Instead, they were received by submitting proofs of purchase to the manufacturer of the cigarettes. \"You will find a printed Slip in every box of OLD JUDGE or GYPSY QUEEN CIGARETTES you buy. On return to us of 25 of these Slips, or 25 Covers of Boxes in which no slips have been packed, we will mail you (prepaid) an elegant CABINET PHOTOGRAPH, handsomely mounted, of any Base Ball Player, in club uniform, you may select from our printed editions. In this way you can get the photograph of every player of prominence in any club in the country.\" -- Goodwin \u0026amp; Co., Old Judge Cigarettes advertisement circa 1888.\u003cbr data-mce-fragment=\"1\"\u003eAs of this writing, there are only 532 SGC graded examples of the N173 Old Judge Cabinet Cards. Compare this to the 11,752 SGC graded examples of the smaller, N172 Old Judge Baseball Cards, and one can readily see the relative rarity of the Cabinet Cards. Also, only 42 of the 532 are graded 80 EX\/NM (SGC 6) or above. The offered card is in this rarefied grade range of this rarefied issue; also the only SGC graded example of this cabinet card! ABSOLUTELY BEAUTIFUL AND EXCEEDINGLY RARE # 001178","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43479629594773,"sku":"001178","price":4800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/n173_hoover_01_20230609.jpg?v=1686344387"},{"product_id":"antique-stereograph-or-stereoview-showing-a-group-of-african-american-children-arrayed-in-front-of-a-log-cabin","title":"Antique Stereograph or Stereoview Showing a Group of African-American Children Arrayed in Front of a Log Cabin","description":"(African-American Interest) ANTIQUE STEREOGRAPH OR STEREOVIEW SHOWING A GROUP OF AFRICAN-AMERICAN CHILDREN ARRAYED IN FRONT OF A LOG CABIN. [Place of publication not identified]: [Publisher not identified], circa 1870. 6-7\/8\" x 4-1\/4\". Two albumen photographic prints mounted on a stereo card; photos labeled \"LOG CABIN\" in the negative; mount labeled \"America Illustrated. Tropical Series.\" The composition of the photograph is really quite stunning, with four small children, each one sitting on an ever higher rung of a ladder which is propped up against the titular log cabin, with four additional people—including a toddler—standing on the ground; minor edge wear and light scattered spotting to the photographic image; decorative mount is without issue. The condition of the stereoview is VERY GOOD +. Note: The date of the card was estimated by using the date of a card in the same series that is held by the Library of Congress. RARE # 000965","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43492968726677,"sku":"000965","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/logcabin.01.20200906.jpg?v=1686951947"},{"product_id":"two-exceptional-original-d-f-barry-silver-gelatin-photographs-depicting-sioux-indian-burial-scenes-along-with-the-original-als-from-barry-to-the","title":"Two Exceptional Original D. F. Barry Silver Gelatin Photographs Depicting Sioux Indian Burial Scenes Along With the Original ALS From Barry to the ...","description":"(Barry, D. F.) TWO EXCEPTIONAL ORIGINAL D. F. BARRY SILVER GELATIN PHOTOGRAPHS DEPICTING SIOUX INDIAN BURIAL SCENES ALONG WITH THE ORIGINAL ALS FROM BARRY TO THE RECIPIENT OF THE PHOTOS DESCRIBING HOW HE WAS ABLE TO TAKE THESE PICTURES (3 ITEMS). Superior, Wisconsin: D. F. Barry Photographer, 1884, (printed later). Two photographs, 6\" x 8\" (sight), matted to 8-1\/4\" x 12-3\/4\", with \"BARRY\" blind-stamp to lower right of both photographs and both mats, housed in original still card D. F. Barry portfolio with printed studio label reading: \"D. F. Barry \/ Photographs of All Noted \/ Indian Chiefs \/ Photographer \/ 1312 Tower Ave. \/ Superior, Wisconsin\" to upper left of back panel, and pencil inscription reading \"Dead Indians \/ Sioux\" written by Barry to upper right. The first photo features two trees with branches holding platforms upon which are dead bodies draped in cloth. The second features a burial scaffold in foreground holding aloft several dead bodies wrapped in cloth, and a tepee in the background which has had its canvas blown away, in which \"is buried a Chief and his sons\" per Barry in a letter sent to the recipient of these photographs (a copy of which will be included with this offering); photographs with toning and very light, minimal spotting; portfolio in lovely condition with one small area of what appears to be adhesive residue to upper right hand corner of back panel. Also included with this lot is a [2] pp., 8-1\/2\" x 11\", ALS from D. F. Barry (1854-1934) dated \"30th Aug 1929\" on two sheets of printed D. F. Barry stationery to \"Mr. R. S. Ellison. Casper, Wyo\" as follows in its entirety: \"Dear Mr. Ellison. I have your letter with check for $2.50 for which I thank you. Regarding the dead Indians, the ones in the trees, taken 1884, in June, I think - near the Grand River, South Dak - the ones burried [sic] on the scaffold - taken South West from Standing Rock Agency - North Dak - taken on the same day. I went expressley [sic] to get these two pictures - I hired a team - and was guided to the spot - never done for a Sioux to have caught me doing that. I never showed those photos at the agency to any one. At old Fort Union - north of Fort Buford - on the Montana line - [illegible] - good ones. The Indians camp close by - I was all set - they rushed at me - and drove me a way - before I had a chance to fire - always careful not to do things that would displease them. Chances and hard work getting my collection. Sincereley [sic] yours \/ D. F. Barry\" The condition of the photographs, the mats and the portfolio is NEAR FINE. The condition of the letter is FINE. Only four institution located on OCLC\/WorldCat with similar photographs in their collection (Denver Public Library: Central Library; Library of Congress; Montana Historical Society Library; and Yale University Library). A RARE AND UNIQUE OFFERING. # 000967","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43493457002645,"sku":"000967","price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/deadindians.01.20200907.jpg?v=1686970849"},{"product_id":"original-silver-print-photograph-titled-strapping-the-victim-into-the-death-chair-convicted-murderer-arthur-mayhew-moments-before-being-executed","title":"Original Silver Print Photograph Titled \"Strapping the Victim Into the Death Chair;\" Convicted Murderer Arthur Mayhew, Moments Before Being Executed","description":"(Crime and Punishment) ORIGINAL SILVER PRINT PHOTOGRAPH TITLED \"STRAPPING THE VICTIM INTO THE DEATH CHAIR.\" CONVICTED MURDERER ARTHUR MAYHEW, MOMENTS BEFORE BEING EXECUTED AT SING SING PRISON, NY [MARCH 12, 1897]. Silver print photograph measuring 3-7\/16\" x 2-7\/16\" on plain mount with minor wear to the corners. Published in The Royal Magazine. London: C. Arthur Pearson Ltd., December, 1898. \"Death By Execution,\" pp. 149-156, \"[i]llustrated by the most remarkable series of photographs ever taken,\" gives a morbidly fascinating and in depth look at capital punishment, American style. The article's author, James S. Metcalfe, was given full access to Sing Sing Prison and the execution of convicted murderer, Arthur Mayhew. The article was illustrated with thirteen photographs taken in various locations within the prison complex, including five taken in the \"death chamber.\" The penultimate photograph in the article is the photograph that a copy of is being offered here; the ultimate one (in more ways than one) is titled \"The Actual Execution.\" It is reasonable to say that these images of Mayhew are the world's first execution photographs. The condition of the photograph is VERY GOOD. RARE. Included with this offering is a bound copy of The Royal Magazine, Vol. 1, November, 1898 to April, 1899 where the photograph was originally published. # 000976","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43493473058965,"sku":"000976","price":1800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/arthurmayhew.01.20200919.jpg?v=1686972300"},{"product_id":"bashful-billy-and-sister-code-no-5743-rare-antique-postcard-depicting-two-young-african-american-children","title":"Bashful Billy and Sister (code no. 5743); Rare Antique Postcard Depicting Two Young African-American Children","description":"(African American Interest) Bashful Billy and Sister (code no. 5743); Rare Antique Postcard Depicting Two Young African-American Children. [Detroit, Michigan]: Detroit Photographic Co., (1902). 5-1\/2\" x 3-1\/4\". Un-posted \"Photochrom\" postcard in EXCELLENT condition. The Detroit Photographic Co. was launched as a photographic publishing company in the late 1890's. They obtained the North American rights to what was a new Swiss photolithographic process (\"Photochrom\") that could produce, in quantity, color prints from black and white photographs that retained their photographic realism. Since color photography did not exist at the time, holding the exclusive rights to this process gave the company a significant advantage over its competitors. Offered here is a beautiful example of a postcard produced with this revolutionary method. # 000977","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43493479383189,"sku":"000977","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/bashfulbillyandsister.01.20200919.jpg?v=1686974135"},{"product_id":"mother-goose-of-93","title":"Mother Goose of '93","description":"(Photography) Mother Goose of '93; Photographic Illustrations by Mrs. N. Gray Bartlett. Boston, Mass.: Joseph Knight Company, (1893). FIRST EDITION. Oblong 4to - 9-1\/2\" x 11-1\/2\". Cream cloth backed, white paper with a blue and gold floral pattern covered boards; the cream cloth with floral decoration and titles stamped in silver for what is a beautiful copy of the book. Original publisher's cream paper dust jacket with titles and decoration printed in gray to front panel, matching the titles and decoration stamped to the cloth on the front cover; four closed edge tears measuring 1-1\/8\", 1-1\/4\", 1-5\/8\" and 4\"; chips to the head and tail of spine and to the fold corners; additional short closed edge tears and overall minor darkening and spotting. Original publisher's two part cardboard box with paste label to box top with titles printed in black; all sides broken at the corners; two sides missing from the top. Plain endpapers. [10] leaves. The illustrated title page and all text and illustrations are printed on thin Japanese paper tipped on to heavier bound sheets; the illustrations are photogravures from photographs of children re-enacting Mother Goose rhymes; offsetting to the mounting page versos; minor spotting to a few leaves. \"This is possibly the most exquisite use of tissue photogravure in the United States ... The luminosity of these plates is superb. The photographs by Mrs. Bartlett are wonderfully charming ... Her abilities as a photographer of children are perfectly demonstrated in these re-enactments of Mother Goose rhymes.\" -- Hanson Collection of the History of Photomechanical Reproduction catalog, p. 117. The condition of the book is NEAR FINE. The condition of the dust jacket is GOOD +. The condition of the box is FAIR. # 001179","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43524877779093,"sku":"001179","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/mothergooseof_93.01.20230716.jpg?v=1689559370"},{"product_id":"gertrude-kasebier-1852-1934-mother-and-daughter-with-potted-bulb-platinum-print-circa-1910","title":"Gertrude Kasebier (1852-1934): Mother and Daughter With Potted Bulb; Platinum Print, Circa 1910","description":"(Photography) Gertrude Kasebier (1852-1934): Mother and Daughter With Potted Bulb; Platinum Print, Circa 1910. The photograph measures 7-1\/4\" x 9-5\/16\"; the original paper mount measures 8-3\/8\" x 10-3\/4\"; with Kasebier's signature, in white pencil, at lower left of print recto.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTogether with -- Gertrude Kasebier (1852-1934): Mother and Two Children; Platinum Print, Circa 1910. The photograph measures 5-7\/8\" x 8\"; the original deckle-edged mount measures 5-7\/8\" x 8-1\/4\".\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe condition of both photographs is EXCELLENT (9\/10); mild condition issues that are barely perceptible to the naked eye.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eProvenance -- Both prints from the family of the photographer. # 001181","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43551128453269,"sku":"001181","price":3750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/motheranddaughterandpottedbulb.02.20230723.jpg?v=1690146292"},{"product_id":"mint-condition-tintype-portrait-of-two-young-boys-one-african-american-and-one-white-sitting-side-by-side-with-arms-crossed","title":"Mint Condition Tintype Portrait of Two Young Boys, One African American and One White, Sitting Side by Side With Arms Crossed","description":"(African American Interest) (Early Photography) Mint Condition Tintype Portrait of Two Young Boys, One African American and One White, Sitting Side by Side With Arms Crossed. [No place]: [Publisher not identified], circa 1865. A virtually flawless tintype photograph with strong contrast and clarity measuring 1-3\/8\" x 1-9\/16\" on original card mount measuring 2-3\/8\" x 3-13\/16\"; card mount with ornate embossed window frame design surrounding an oval window cut-out measuring 1\" x 1-5\/16\"; oval window cut-out with a single minuscule nick to edge. A beautiful tintype with a most unusual portrait pairing. The condition of the tintype is 10\/10 - MINT: No damage to the print surface. # 001202","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43867056996501,"sku":"","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/tintype_of_two_boys_01_20231120.jpg?v=1700537567"},{"product_id":"rare-cdv-of-civil-war-surgeon-dr-mary-walker-the-only-female-medal-of-honor-recipient-in-the-history-of-the-united-states","title":"Rare CDV of Civil War Surgeon Dr. Mary Walker, the Only Female Medal of Honor Recipient in the History of the United States","description":"(United States - Civil War (1861-1865)) Rare CDV of Civil War Surgeon Dr. Mary Walker, the Only Female Medal of Honor Recipient in the History of the United States. [London]: Elliott \u0026amp; Fry, 55, Baker Street, Portman Square, circa 1866. Albumen photograph measuring 2-5\/16\" x 3-9\/16\" on card mount measuring 2-7\/16\" x 4-1\/16\", with Elliott \u0026amp; Fry of London imprint to mount recto and verso. The full length standing studio portrait of the surgeon clothed in both dress and trousers, proudly wearing her Medal of Honor; minimal spotting and a couple of smudges for what is a beautiful photograph with excellent clarity and contrast.\u003cbr data-mce-fragment=\"1\"\u003eMary Edwards Walker (1832-1919) attended Syracuse Medical College and received her medical degree from there in1855. She became the second woman to graduate from this college after Elizabeth Blackwell. When the Civil War began in 1861, Walker wanted to join the Union's efforts but was not allowed to because she was a woman. In 1863 her request to practice as a surgeon was finally approved, and she became the first female U.S. Army surgeon as a civilian. For her efforts helping the Union during the Civil War, Walker was awarded the Medal of Honor by President Johnson on November 11, 1865, even though she was a civilian who had never been a commissioned officer in military service. It was Walker's civilian status that caused her Medal to be rescinded in 1917. Walker refused to return the medal and continued to wear it until her death in 1919. In 1977, President Jimmy Carter officially reinstated the award to Walker. \u003cbr data-mce-fragment=\"1\"\u003eThe firm of Elliott \u0026amp; Fry was founded in 1863 by Joseph John Elliott (1835-1903) and Clarence Edmund Fry (1840-1897). Its first premises was at 55 Baker Street in London where they it stayed until 1886. In the early 1940s the studio was bombed and most of the early negatives were destroyed. The National Portrait Gallery in London shows to possess 10,996 portraits associated with the photographers Elliott \u0026amp; Fry, including one portrait of Dr. Mary Walker, though not of the image offered in this listing. The condition of the CDV is 6\/10 - Very Good: Moderate or mild condition issues that attract the eye under normal viewing conditions. RARE, and possibly a previously unknown pose of Dr. Mary Walker. # 001203","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43880455405717,"sku":"","price":4900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/mary_walker_01_20231125.jpg?v=1700954512"},{"product_id":"original-john-c-h-grabill-albumen-photograph-titled-in-the-negative-no-862-deadwood-dakota-a-part-of-the-city-from-forest-hill","title":"Original John C. H. Grabill Albumen Photograph Titled in the Negative \"No. 862. 'Deadwood, Dakota.' A Part of the City From Forest Hill.\"","description":"(Western Americana) Original John C. H. Grabill Albumen Photograph Titled in the Negative \"No. 862. 'Deadwood, Dakota.' A Part of the City From Forest Hill. Photo and Copyright by Grabill, 1888.\" [Dakota Territory]: [John C. H.] Grabill, (1888). Albumen photograph measuring 8-11\/16\" x 6-7\/16\" on a gilt-edged cardstock mount measuring 9-13\/16\" x 6-13\/16\". A wonderful bird's-eye view of the Wild West town of Deadwood, exhibiting excellent clarity and tonality with many business names clearly legible on the buildings in the town below. \u003cbr data-mce-fragment=\"1\"\u003eThe original negative of this photograph is held by the Library of Congress in the Grabill Collection. The light vertical scratches seen in the upper part of the photograph are clearly visible in the original negative. The condition of the photograph is 9\/10 - EXCELLENT: Mild condition issues that are barely perceptible to the naked eye.\u003cbr data-mce-fragment=\"1\"\u003eProvenance: From the James Milgram, M.D. Collection of Broadsides, Ephemeral Americana, and Historical Documents. # 001204","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43884701286549,"sku":"","price":2750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/grabill_deadwood_01_20231126.jpg?v=1701460633"},{"product_id":"original-circa-1892-cabinet-card-portrait-photograph-of-the-wild-west-show-sharpshooter-annie-oakley","title":"Original Circa 1892 Cabinet Card Portrait Photograph of the Wild West Show Sharpshooter Annie Oakley","description":"(Early Photographs) (Wild West Shows) Original Circa 1892 Cabinet Card Portrait Photograph of the Wild West Show Sharpshooter Annie Oakley. Brooklyn: Stacy, Corner 9th St. and 5th Ave., circa 1892. Albumen photograph measuring 3-13\/16\" x 5-9\/16\" on Stacy's blind-stamped \"Ivory Finish\" cardstock mount measuring 4-1\/4\" x 6-1\/4\" with facsimile ink signature, \"Annie Oakley\", to mount lower recto. This bust-length studio portrait shows Annie Oakley gazing up and to the left. She is wearing a wide-brimmed hat with a star pin on it and her jacket is covered with shooting medals. The photo exhibits significant toning with some light spotting visible on close inspection or magnification; the mount with minor touches of wear to the corners and edges. The condition of the cabinet card portrait photograph is 7\/10 - VERY GOOD: Moderate or mild condition issues that attract the eye under normal viewing conditions. SCARCE # 001205","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43885205979285,"sku":"","price":1950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/stacy_annie_oakley_01_20231127.jpg?v=1701144767"},{"product_id":"original-circa-1895-cabinet-card-photograph-of-calamity-jane-titled-in-the-negative-calamnity-sic-jane-gen-crooks-scout","title":"Original Circa 1895 Cabinet Card Photograph of Calamity Jane, Titled in the Negative \"Calamnity [sic] Jane, Gen. Crook's Scout.\"","description":"(Early Photography) (Western Americana) Original Circa 1895 Cabinet Card Photograph of Calamity Jane, Titled in the Negative \"Calamnity [sic] Jane, Gen. Crook's Scout.\" Chicago: [John B.] Wilson, 389 State St., circa 1895. 3-7\/8\" x 5-7\/16\" photograph on a 4-1\/4\" x 6-1\/2\" Wilson \"Theatrical Celebrities\" cardstock mount for what is a beautiful copy of the photograph; mount with minor spotting and age-tanning, with pencil identification to mount recto and verso. The photograph is a full length studio portrait of Calamity Jane (1852-1903) standing and facing slightly right, wearing a fringe leather jacket and pants outfit complete with an ammunition belt and revolver holding the barrel of a repeating rifle that is pointing upward. This photograph appears to have been taken during the same session as two other photographs of Calamity Jane held by the Library of Congress. The first of these is titled in the negative \"Calamity Jane, Gen. Crook's scout.\" The second one is titled in the negative \"Calamnity [sic] Jane, Gen. Crook's scout, no. 2.\" Both are marked \"Copyrighted by H. R. Locke, 1895.\" and were published in Deadwood, SD by Lock \u0026amp; Peterson in 1895. The condition of the cabinet card photograph is 9\/10 - EXCELLENT: Mild condition issues barely perceptible to the naked eye. The condition of the Wilson studio cardstock mount is 7\/10 - FINE: Mild or moderate condition issues that attract the eye under gallery lighting conditions. RARE # 001206","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":43897923141781,"sku":"","price":5250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/wilson_calamity_jane_01_20231201.jpg?v=1701459421"},{"product_id":"1867-prisoners-ohio-penitentiary-cdv-photo-william-oldroyd","title":"Rare Circa 1867 Albumen Print CDV Titled \"Prisoners in the Ohio Penitentiary on Their Way to Dinner.\"","description":"\u003cp data-path-to-node=\"10\"\u003e(Crime and Punishment) Rare Circa 1867 Albumen Print CDV Titled \"Prisoners in the Ohio Penitentiary on Their Way to Dinner;\" photographed by Wm. Oldroyd. Columbus, O[hio]: W. Oldroyd, circa 1867.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eCarte-de-visite (CDV). Albumen photograph (horizontal orientation) measuring 2-1\/8\" x 3-9\/16\" mounted onto a standard vertical card stock matrix measuring 3-7\/8\" x 2-3\/8\". Letterpress title and photographer's commercial imprint printed in black ink to the mount verso.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe physical condition of the carte-de-visite is \u003cstrong\u003e(6\/10) - VERY GOOD\u003c\/strong\u003e; Moderate or mild condition issues that attract the eye under normal viewing conditions. Both the albumen print surface and the surrounding card mount exhibit light, scattered spotting and routine atmospheric oxidation consistent with age. The photographic contrast remains clear, with structural integrity fully preserved and no layer delamination along the edges of the card stock.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"13\"\u003ePost-Civil War Penology and Architectural View Photography\u003c\/h3\u003e\n\u003cp data-path-to-node=\"14\"\u003eThis rare albumen carte-de-visite captures a highly structured formation of inmates within the secure perimeter of the historic Ohio State Penitentiary in Columbus. The composition documents a critical phase in American penological history, visually preserving the enforcement of the congregate labor system, prison discipline, and the mandatory use of high-contrast, horizontally striped inmate uniforms designed to deter escape. The prisoners are depicted assembled in rows within the stone courtyard, transitioning under guard supervision toward the dining facilities.\u003c\/p\u003e\n\u003cp data-path-to-node=\"15\"\u003eThe photograph is the work of William Oldroyd (b. 1817\/1820), an English-born artisan who established his permanent studio in Columbus around 1867. While active in regional photography since at least 1850 in Knox County, Oldroyd’s post-war Columbus output specialized primarily in complex architectural documentation and urban view work. This specific image represents an early example of his documentary view work, executing exterior field photography with a portable camera setup under the challenging lighting constraints of high penitentiary walls.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"16\"\u003ePhotographer Bibliography, Format Variants, and Institutional Census\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eWilliam Oldroyd's professional career and migrations are documented in standard regional art references, notably in \u003cb data-path-to-node=\"17\" data-index-in-node=\"116\"\u003eHaverstock, et al., \u003ci data-path-to-node=\"17\" data-index-in-node=\"136\"\u003eArtists in Ohio, 1787-1900\u003c\/i\u003e (Kent State University Press, 2000, p. 652)\u003c\/b\u003e, which identifies his specialty in views and frames stretching until at least 1888. Ephemeral 1860s photographic views of state prisons are exceptionally uncommon, as institutional access was strictly regulated and commercial distribution was typically limited to local historical interest or specialized civic portfolios.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eA current institutional sweep via the \u003cb data-path-to-node=\"18\" data-index-in-node=\"38\"\u003eOCLC\/WorldCat database\u003c\/b\u003e indicates a minimal survival rate for this specific title. Only three holdings are located under this exact name; however, all three recorded institutional examples are formatted as \u003cb data-path-to-node=\"18\" data-index-in-node=\"243\"\u003estereographs\u003c\/b\u003e and entirely lack an attribution for the publisher or photographer. This specimen appears to be an \u003cstrong\u003eunrecorded variant\u003c\/strong\u003e, establishing the image in a distinct carte-de-visite format and definitively identifying Oldroyd as both the photographer and publisher.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eA SIGNIFICANT, UNRECORDED FORMAT VARIANT OF A NINETEENTH-CENTURY CORRECTIONAL DOCUMENTARY PHOTOGRAPH, PROVIDING CRITICAL PRIMARY EVIDENCE FOR INSTITUTIONAL RESEARCH INTO OHIO PHOTO IMPRINTS, PENAL ARCHITECTURE, AND THE EARLY VIEW WORK OF WILLIAM OLDROYD.\u003c\/b\u003e\u003c\/p\u003e","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":45997439451285,"sku":"","price":975.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/prisoners_ohio_state_penitentiary_01_20250504.jpg?v=1746383406"},{"product_id":"c1840-half-plate-daguerreotype-portrait-girl-toy-dog-mary-collins","title":"A Superb, Crystal Clear, Half-Plate Daguerreotype Photograph of a Cute, Three-Year-Old Girl With a Toy Dog","description":"\u003cp data-path-to-node=\"8\"\u003e(Early Photography: Daguerreotypes) Portrait of a Three-Year-Old Girl With Her Toy Dog [Mary A. Collins with her dog \"Bevis\"]. [No place]: [Publisher not identified], circa 1840.\u003c\/p\u003e\n\u003cp data-path-to-node=\"9\"\u003eHalf-plate daguerreotype image, 5-1\/2\" x 4-1\/4\". Full-length seated portrait. Housed under glass in the original full, pressed-paper case measuring 5-7\/8\" x 4-5\/8\", complete with original, functional brass latching hardware. Accompanied by two historic ephemera components: an early hand-written provenance note on paper stock, and a twentieth-century printed consignment tag from Samuel T. Freeman \u0026amp; Co. Auctioneers.\u003c\/p\u003e\n\u003cp data-path-to-node=\"12\"\u003eThe physical condition of the daguerreotype plate is EXCELLENT (9\/10). The silvered copper surface is exceptionally clean, clear, and chemically stable, exhibiting high contrast and minimal, localized peripheral tarnish or superficial condition issues discernible to the naked eye. The original protective glass matrix remains free of fractures. The pressed-paper case is structurally sound and entire, showing superficial handling wear consistent with its age, including two distinct surface abrasions on the lower panel where the Freeman auction tag was previously secured with adhesive tape. The manuscript provenance note and auction tag are clean and entirely legible.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eMid-Nineteenth-Century Child Portraiture and Toy Material Culture\u003c\/h3\u003e\n\u003cp data-path-to-node=\"14\"\u003eThis half-plate image represents an uncommonly early and technically superior example of commercial daguerreian art from the dawn of practical photography. Executed circa 1840—within the first few years of Louis Daguerre's process gaining traction in North America—the full-length format captures a three-year-old subject identified by the accompanying manuscript note as Mary A. Collins. Capturing infants and young children during this formative era presented severe operational challenges for practitioners due to the lengthy chemical exposure times required, making clear, un-blurred child portraiture a notable artistic and technical achievement.\u003c\/p\u003e\n\u003cp data-path-to-node=\"15\"\u003eThe iconographic significance of the plate is enhanced by the inclusion of the child's toy dog, identified in the family note as \"Bevis, named by herself.\" Rather than employing generic studio props, this portrait preserves an authentic item of personal juvenile property. The toy demonstrates the specific material culture of early Victorian childhood, providing historians with distinct evidence regarding mid-nineteenth-century textile, folk art, or papier-mâché toy manufacturing. The clarity of the silver plate records the textural differences between the child's clothing, her features, and the fabric elements of the animal figure.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eProvenance Track, Plate Scale, and Market Scarcity\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eIn the hierarchy of cased nineteenth-century photography, the \u003cb data-path-to-node=\"17\" data-index-in-node=\"62\"\u003ehalf-plate format\u003c\/b\u003e was an expensive luxury option, significantly scarcer than the ubiquitous sixteenth, ninth, or sixth-plate sizes commonly purchased by working-class families. The survival rate of pristine half-plates with unbroken family provenance is low. This specimen retains its historical chain of ownership via the included family note and its subsequent public appearance at \u003cb data-path-to-node=\"17\" data-index-in-node=\"446\"\u003eSamuel T. Freeman \u0026amp; Co.\u003c\/b\u003e, one of America's oldest continuous auction firms.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eA current global sweep of the OCLC\/WorldCat database\u003c\/b\u003e along with specialized institutional photographic finding aids confirms that early 1840s half-plate portraits displaying children with personalized playthings are highly sought after, with matching examples predominantly restricted to core regional museum archives.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eA REMARKABLY PRESERVED, HIGH-CONTRAST MONUMENT OF PRE-CIVIL WAR PHOTOGRAPHY, FEATURING EXCELLENT PLATE CLARITY, FULL CASES WITH WORKING ORIGINAL HARDWARE, AND DOCUMENTED ASSOCIATIONAL PROVENANCE, CONSTITUTING A PRIZED ACQUISITION FOR PRIVATE CONNOISSEURS OF EARLY AMERICAN IMAGERY AND INSTITUTIONAL COLLECTIONS DEVOTED TO THE MATERIAL CULTURE OF VICTORIAN CHILDHOOD.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e# 001277\u003c\/p\u003e","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":47357045276821,"sku":null,"price":1750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/daguerreotype_three-year-old_girl_01_20260515.jpg?v=1778908190"},{"product_id":"1872-custer-chief-spotted-tail-stereoview-eaton-k158","title":"Antique Stereograph (Stereoview) Titled \"No. 6. Gen. Custar [sic] and Spotted Tail at the Grand Duke's Mess Tent.\"","description":"\u003cp data-path-to-node=\"14\"\u003e(Custer, Major General George Armstrong) (Powers, D. R., photographer). Antique Stereograph (Stereoview) Titled \"\u003cem\u003eNo. 6. Gen. Custar [sic] and Spotted Tail at the Grand Duke's Mess Tent.\u003c\/em\u003e\" Omaha, Nebraska: E. L. Eaton, Photographer, [January, 1872]. A pair of dome-topped, 3-1\/8\" x 3\" albumen photographs on the original yellow stiff card E. L. Eaton mount measuring 3-3\/8\" x 6-15\/16\". Verso with printed title, E. L. Eaton imprint, and \"D. R. Powers, Operator\" credit.\u003c\/p\u003e\n\u003cp data-path-to-node=\"15\"\u003eThe physical condition of this stereoview is graded \u003cb data-path-to-node=\"15\" data-index-in-node=\"52\"\u003e(8\/10) - VERY FINE\u003c\/b\u003e (utilizing a standardized 10-point scale for photographic prints and original works of art, indicating mild or moderate condition issues visible only under very close inspection or under raking light). The yellow card mount remains structurally sound, rigid, and clean, with minimal softening at the native corner tips. A small vintage paper inventory sticker is affixed near the top left corner of the mount recto. The albumen prints retain excellent tonal contrast, deep rich sepia values, and their original surface gloss, exhibiting only the mild, uniform aging captured under close inspection.\u003c\/p\u003e\n\u003cp data-path-to-node=\"16\"\u003eProvenance: The William M. Lentz, Jr. Collection; Swann Galleries, \u003ci data-path-to-node=\"16\" data-index-in-node=\"67\"\u003ePhotographs\u003c\/i\u003e, April 19, 1997, Lot 93 (original auction catalog included with the stereograph); The Larry Ness Collection of Native American Photography.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"17\"\u003eThe Great Royal Buffalo Hunt of 1872 and Frontier Diplomacy\u003c\/h3\u003e\n\u003cp data-path-to-node=\"18\"\u003eThis exceptional, unrecorded variant stereoview captures a pivotal, fleeting moment of frontier diplomacy on the American plains. Taken between January 12 and 16, 1872, in Hayes County, Nebraska, the photograph documents the historic \"Great Royal Buffalo Hunt\" organized by General Philip Sheridan for Grand Duke Alexis Aleksandrovich of Russia. This high-profile international event brought together an extraordinary convergence of western figures, including Buffalo Bill Cody, Lieutenant Colonel George Armstrong Custer, and a prominent contingent of Brulé Lakota Sioux led by Chief Spotted Tail.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003eThe composition features Custer seated in front of the Grand Duke's imperial mess tent, his sporting rifle propped by his side and steadied with his left hand. Standing immediately adjacent to him is Chief Spotted Tail, dressed in traditional regalia. In the background, secondary military and tribal tents complete the encampment. The hunt featured a series of competitive buffalo runs, followed by a formal powwow and war dance staged by the Sioux for the Russian delegation. This event represents one of the final peaceful diplomatic intersections between the U.S. military command and the Lakota leadership prior to the total collapse of relations and the transition to open warfare across the northern plains later in the decade.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"20\"\u003eIconographic Documentation, Literature, and Absolute Scarcity\u003c\/h3\u003e\n\u003cp data-path-to-node=\"21\"\u003eThis specific specimen occupies a celebrated position in Custer bibliography and iconographic study. It is the exact underlying copy pictured in the definitive reference text by D. Mark Katz, \u003ci data-path-to-node=\"21\" data-index-in-node=\"192\"\u003eCuster in Photographs\u003c\/i\u003e (New York: Bonanza Books, 1990, p. 140), where it is formally cataloged and designated as entry \u003cstrong\u003eK-158\u003c\/strong\u003e. At the time of publication, Katz specifically cited this exact piece as an \"unpublished stereoview, courtesy of William M. Lentz, Jr.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003eThe physical scarcity of this unpublished photographic variant is absolute. A comprehensive global census via WorldCat, the National Union Catalog, and specialized photographic archives locates no other copies of this Eaton\/Powers variant preserved in any institutional or public special collection worldwide. Backed by an impeccable provenance stemming from the William M. Lentz, Jr. archives and the renowned Larry Ness Collection of Native American Photography, this artifact represents a singular opportunity for acquisition.\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003e\u003cstrong\u003eAN UNPUBLISHED, NATIONALLY SIGNIFICANT PHOTOGRAPHIC RECORD OF THE POST-CIVIL WAR PLAINS INDIAN WARS PERIOD, CAPTURING THE METICULOUSLY DOCUMENTED K-158 PLATES OF GEORGE ARMSTRONG CUSTER AND CHIEF SPOTTED TAIL, REPRESENTING A PARAMOUNT ACQUISITION FOR INSTITUTIONAL RESEARCH ARCHIVES OR EXTRAORDINARY PRIVATE COLLECTIONS DEVOTED TO 19TH-CENTURY WESTERN AMERICANA.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"22\"\u003e# 001281\u003c\/p\u003e","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":47371726586005,"sku":null,"price":4000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/gen_custar__sic__and_spotted_tail_01_20260307.jpg?v=1779339875"},{"product_id":"1880-watkins-stereoview-indians-arizona-new-mexico-apaches","title":"Antique Circa 1880 Stereograph (Stereoview): \"Indians of Arizona and New Mexico,\" Carleton E. Watkins, Photographer","description":"\u003cdiv class=\"container\"\u003e\n\u003cdiv dir=\"ltr\" aria-busy=\"false\" aria-live=\"polite\" id=\"model-response-message-contentr_89e011c328235d23\" class=\"markdown markdown-main-panel tutor-markdown-rendering force-compact-layout enable-updated-hr-color\"\u003e\n\u003cp data-path-to-node=\"10\"\u003e(Native American Interest) (Watkins, Carleton E., photographer). Antique Stereograph (Stereoview) Titled \u003ci data-index-in-node=\"105\" data-path-to-node=\"10\"\u003e\"Indians of Arizona and New Mexico\" \u003c\/i\u003e[From the \"Arizona - 1880\" Series Checklist]. San Francisco, California: Carleton E. Watkins, 427 Montgomery St., [circa 1880]. A pair of 3-1\/8\" x 3\" albumen photographs on the original orange card mount measuring 3-3\/8\" x 6-15\/16\" from \"Watkins' New Series of Pacific Coast Views.\" Publication information is printed in black to the left and right margins recto, with the title printed to the lower margin recto; the lavender verso bears a modern pencil inscription, \"Apaches.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe physical condition of this stereograph is graded \u003cb data-index-in-node=\"53\" data-path-to-node=\"11\"\u003e(6\/10) - VERY GOOD\u003c\/b\u003e (utilizing a standardized 10-point scale for photographic prints and original works of art, indicating moderate or mild condition issues that attract the eye under normal viewing conditions). The albumen prints exhibit light, scattered spotting across both image surfaces, though they retain good clarity and deep tonal depth. The orange card mount remains structurally sound with minor edge wear along the recto margins and minor, uniform fading along the perimeter of the lavender verso.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"13\"\u003eEthnographic Portraiture and Watkins' Southwest Expedition\u003c\/h3\u003e\n\u003cp data-path-to-node=\"14\"\u003eThis significant ethnographic stereoview documents a studio group portrait of two young Native American men, historically identified as Apaches. The composition captures the two figures seated against a neutral studio backdrop, adorned with painted geometric designs across their chests and wearing traditional hide leggings and moccasins. The figure to the left is posed holding a bow and arrow, with an intricately fringed quiver strapped across his torso, while his companion is seated with a trade hatchet resting across his knees.\u003c\/p\u003e\n\u003cp data-path-to-node=\"15\"\u003eThe image reflects a complex layer of Western photographic production during the expansion of the transcontinental railroad systems. While commercially issued under the umbrella of Carleton E. Watkins' celebrated April 10 through May 18, 1880 expedition along the Southern Pacific Railroad line into Arizona, contemporary photographic scholarship has re-evaluated the exact origins of the series' New Mexico views. The studio setting and specific material culture visible in the portrait suggest an intersection of field work and corporate distribution common among late 19th-century frontier photographers.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"16\"\u003eAttribution, Photographic Bibliography, and Scarcity\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eThe historical and geographic provenance of this view is clarified by specialized regional scholarship. According to Jeremy Rowe, a preeminent authority on early Arizona and Southwest photography, this specific view—formally cataloged under Watkins' \"Arizona - 1880\" series—relies on negatives likely acquired by Watkins from an uncredited contemporary operator. Rowe notes that while this view was commercially issued among the 100 titles in the \"Arizona - 1880\" checklist, Watkins himself is not documented traveling into the Santa Fe region during this specific interval.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eRowe’s analysis further refines the ethnographic attribution of the sitters, identifying them as likely Jicarilla Apache from New Mexico, which chronologically ties the production of the underlying negative to an earlier period between 1876 and 1879. Because Watkins' inventory suffered immense losses during subsequent corporate reorganizations and the complete destruction of his studio in the 1906 San Francisco earthquake, original orange-mount \"New Series\" examples of his indigenous portraiture remain exceptionally scarce. Institutional databases and regional union checklists locate few surviving copies of this particular title, making it a critical index piece for the study of commercial tribal documentation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-index-in-node=\"0\" data-path-to-node=\"19\"\u003eAN EXCEPTIONAL AND SCARCE CARLETON E. WATKINS \"NEW SERIES\" ETHNOGRAPHIC RECORD, REVEALED THROUGH MODERN PHOTOGRAPHIC SCHOLARSHIP TO BE A RARE 1870s SPECIMEN OF JICARILLA APACHE PORTRAITURE, CONSTITUTING A VITAL ACQUISITION FOR RESEARCH INSTITUTIONS AND CONNOISSEUR COLLECTIONS FOCUSING ON THE HISTORY OF AMERICAN SOUTHWEST PHOTOGRAPHY.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003e# 001282\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!----\u003e\n\u003c\/div\u003e","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":47376577659029,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/indians_of_AZ_and_NM_01_20260301.jpg?v=1779471167"},{"product_id":"df-barry-cabinet-card-photograph-lakota-chief-john-grass-circa-1890","title":"An Original D. F. Barry Albumen Photograph Cabinet Card of Lakota Chief John Grass","description":"\u003cp data-path-to-node=\"10\"\u003e(Native American Interest) (Barry, D. F., photographer). Original Albumen Photograph Cabinet Card Titled \u003ci data-path-to-node=\"5,0\" data-index-in-node=\"105\"\u003e\"Chief John Grass\"\u003c\/i\u003e [Charging Bear]. West Superior, Wis.: D. F. Barry, Photographer, circa 1890. A vertical, 5-3\/8\" x 3-7\/8\" bust-length studio portrait albumen print, mounted on the original 6-1\/2\" x 4-1\/4\" D. F. Barry decorative studio card mount. Recto features a rich, tonal albumen print capturing the subject in sharp focus. The reverse side (verso) features a prominent, printed bust-length engraving of Hunkpapa Lakota Chief Gall set alongside the photographer's stylized West Superior, Wisconsin commercial marketing imprint.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe physical condition of the albumen print is graded \u003cb data-path-to-node=\"3,0\" data-index-in-node=\"54\"\u003e(8\/10) - VERY FINE\u003c\/b\u003e (utilizing a standardized 10-point scale for photographic prints and original works of art, indicating mild or moderate condition issues visible only under very close inspection or under raking light). The print retains remarkable contrast, detail, and warm tones, showing only light surface soil and minimal spotting consistent with age. The condition of the original studio mount is graded \u003cb data-path-to-node=\"3,0\" data-index-in-node=\"465\"\u003e(6\/10) - VERY GOOD\u003c\/b\u003e (utilizing a standardized 10-point scale for photographic prints and original works of art, indicating moderate or mild condition issues that attract the eye under normal viewing conditions). The mount exhibits a small paper chip at the lower-left corner recto, a single pinhole in the upper margin, and slight, uniform soiling to both the front and back surfaces.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eHistorical Role of Chief John Grass and the Standing Rock Agency\u003c\/h3\u003e\n\u003cp data-path-to-node=\"13\"\u003eBorn in 1837 into the Sihasapa (Blackfoot Teton) band of the Lakota Sioux, John Grass inherited his chieftainship from his father, Pezi, a hereditary leader. Given the warrior name Ma-tow-a-tak-pe, or Charging Bear, Grass was a participant in the historic Battle of the Little Bighorn. Following the final military subjugation of the Plains tribes, he strategically shifted paradigms, advocating for diplomatic coexistence and tribal autonomy within the newly established reservation system.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eThis striking portrait captures Grass in Western civilian clothing, a deliberate choice reflecting his sophisticated adoption of white societal structures to negotiate inter-tribal and federal policies. Baptized by a Jesuit missionary in his infancy, Grass spent more than thirty years serving as the Chief Justice in the Court of Indian Offenses of the Standing Rock Agency at Fort Yates. In this capacity, he deftly navigated the complex legal, spiritual, and cultural friction between traditional Lakota law and the encroaching mandates of United States administrative policy.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eFrontier Photography of D. F. Barry and Institutional Census\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eDavid Francis Barry stands out as one of the preeminent photographic chroniclers of the American West, operating mobile and permanent frontier studios at Fort Buford, Fort Yates, and West Superior. Barry gained unprecedented personal access to the most prominent indigenous leaders, warriors, and United States military figures of the Indian Wars era; his portraits remain celebrated by curators for their technical precision, composition, and deep psychological clarity.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eWhile the original glass plate negative for this specific sitting is preserved in the David F. Barry Collection at the Denver Public Library, contemporary commercial printings on original Barry mounts are exceptionally scarce. A current global sweep of the\u003cstrong\u003e OCLC\/WorldCat database\u003c\/strong\u003e confirms the pronounced scarcity of this title. \u003cstrong\u003eOnly one other copy of this cabinet card is located\u003c\/strong\u003e \u003cstrong\u003ein institutional repositories worldwide\u003c\/strong\u003e, preserved within the William L. Clements Library at the University of Michigan.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003e\u003cstrong\u003eA RARE, TECHNICALLY EXCELLENT SURVIVAL OF LATE NINETEENTH-CENTURY FRONTIER PORTRAITURE, PRESERVING A CRITICAL IMAGE OF LAKOTA JURISPRUDENCE AND DIPLOMACY, PRESENTING A PREMIER ACQUISITION FOR RESEARCH ARCHIVES OR DISCRIMINATING PRIVATE COLLECTIONS.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003e# 001283\u003c\/p\u003e","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":47379410387093,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/chief_john_grass_01_20250917.jpg?v=1779575572"},{"product_id":"hj-stevenson-cabinet-card-photograph-cheyenne-girl-in-full-dress-circa-1890","title":"Original Circa 1890 Cabinet Card With Full Length Seated Portrait Photograph of a Beautiful Indian Maiden Titled \"Cheyenne Girl in Full Dress\"","description":"\u003cp data-path-to-node=\"10\"\u003e(Native American Interest) (Stevenson, Henry James, photographer). Original Photograph Cabinet Card Titled \u003ci data-path-to-node=\"10\" data-index-in-node=\"107\"\u003e\"Cheyenne Girl in Full Dress.\"\u003c\/i\u003e El Reno, Ok[lahoma]. Ter[ritory]: [H.J.] Stevenson, Art Studio, circa 1890. A vertical, 5-7\/8\" x 3-7\/8\" full-length studio portrait photograph, mounted on the original 6-1\/2\" x 4-1\/4\" printed studio cardstock mount. Recto features a highly detailed, high-contrast print capturing the subject in a seated position. The reverse side (verso) bears a modern identification rendered in pencil: \u003ci data-path-to-node=\"10\" data-index-in-node=\"527\"\u003e\"Southern Cheyenne \/ (Later known as 'Lizzie Pendleton').\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe physical condition of the photograph is graded \u003cb data-path-to-node=\"11\" data-index-in-node=\"51\"\u003e(8\/10) - VERY FINE\u003c\/b\u003e (utilizing a standardized 10-point scale for photographic prints and original works of art, indicating mild or moderate condition issues visible only under very close inspection or under raking light). The print retains exceptional clarity, rich tonal gradation, and its original structural integrity, with the original studio mount displaying only trivial signs of native handling or peripheral wear.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eMaterial Culture and Frontier Studio Portraiture of the Southern Plains\u003c\/h3\u003e\n\u003cp data-path-to-node=\"13\"\u003eThis portrait represents a highly detailed documentation of Southern Plains indigenous material culture during the critical transition to the reservation era in Oklahoma Territory. The subject is captured within a formal studio setting, seated in a chair draped with a classic trade blanket, juxtaposed against standard Victorian studio props including a formal floral arrangement. Facing the camera lens directly, she is attired in a traditional Cheyenne hide dress extensively ornamented with dense rows of dentalium shells, bone breastplate elements, and intricate, localized geometric beadwork.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eHer personal adornment includes multiple metallic bracelets, drop earrings, rings, and her hair meticulously wrapped in elongated, ribbon-bound braids. Photographed in El Reno—a pivotal frontier town situated adjacent to Fort Reno and the Darlington Agency—the image expertly captures the complex historical intersection of traditional tribal wealth display and the standardized conventions of late nineteenth-century commercial frontier photography.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"15\"\u003ePhotographic Legacy of H. J. Stevenson and Institutional Census\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eHenry James Stevenson operated a prominent commercial studio in El Reno, actively recording the land runs, military personnel, and indigenous populations of the region during the late nineteenth and early twentieth centuries. Stevenson's ethnographic portraits are highly noted by contemporary curators for their technical clarity and deliberate focus on individual identity rather than generic Western caricature. In 1913, Stevenson sold a foundational corpus of 150 indigenous photographs to the Oklahoma Historical Society, establishing the definitive public archive of his documentary work.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eThe survival of individual commercial printings from his studio on original mounts remains uncommonly scarce. A current global sweep of the \u003cstrong\u003eOCLC\/WorldCat database\u003c\/strong\u003e confirms the pronounced scarcity of this title. \u003cstrong\u003eOnly a single copy of this specific photograph is held in institutional repositories worldwide\u003c\/strong\u003e, preserved as part of the surviving 56-piece Stevenson sub-collection within the permanent archives of the Oklahoma Historical Society.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-path-to-node=\"18\" data-index-in-node=\"0\"\u003eA PRECISELY PRESERVED FRONTIER CABINET PORTRAIT FROM OKLAHOMA TERRITORY, OFFERING SIGNIFICANT PRESERVATION OF SOUTHERN CHEYENNE MATERIAL CULTURE AND MATERIAL DESIGN FOR SPECIALIZED ANTHROPOLOGICAL AND WESTERN AMERICANA COLLECTIONS, PRESENTING A PREMIER ACQUISITION FOR RESEARCH ARCHIVES OR DISCRIMINATING PRIVATE COLLECTIONS.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e# 001284\u003c\/p\u003e","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":47381905866901,"sku":null,"price":2400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/cheyenne_girl_01_20260503.jpg?v=1779648023"},{"product_id":"among-the-sioux-j-a-anderson-first-edition-1896","title":"Among the Sioux","description":"\u003cdiv class=\"container\"\u003e\n\u003cdiv dir=\"ltr\" aria-busy=\"false\" aria-live=\"polite\" id=\"model-response-message-contentr_ad61c9b4fb2429c4\" class=\"markdown markdown-main-panel tutor-markdown-rendering force-compact-layout enable-updated-hr-color\"\u003e\n\u003cp data-path-to-node=\"10\"\u003e(Native American Interest) Anderson, J. A. [John Alvin], photographer. \u003cb data-index-in-node=\"71\" data-path-to-node=\"10\"\u003eAmong the Sioux; photographed and compiled by J. A. Anderson.\u003c\/b\u003e N[ew] Y[ork]: The Albertype Co., (1896). First Edition. Oblong 12mo, \u003cb data-index-in-node=\"202\" data-path-to-node=\"10\"\u003e5-1\/8\" x 7-1\/8\"\u003c\/b\u003e. Consisting of \u003cb data-index-in-node=\"233\" data-path-to-node=\"10\"\u003e[17] leaves\u003c\/b\u003e, including a printed prefatory forward by the photographer and \u003cb data-index-in-node=\"308\" data-path-to-node=\"10\"\u003e[16] leaves\u003c\/b\u003e of single-sided photographic plates. Original publisher's red ribbon-bound, limp textured maroon cloth wrappers, with the title crisply stamped in silver to the upper wrapper.\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe physical condition of this volume is graded \u003cb data-index-in-node=\"48\" data-path-to-node=\"11\"\u003eVERY GOOD +\u003c\/b\u003e (utilizing the standard antiquarian book grading scale for works on paper). The exceptionally fragile silk ribbon binding remains entirely intact, tight, and structurally secure, a remarkable state for an object of this format. The silver stamping on the upper wrapper remains clean, bright, and completely untarnished. Physical anomalies are strictly restricted to minor, routine signs of native handling and superficial, light rubbing at the wrapper extremities. Internally, the photographic plates remain bright and crisp, entirely free of foxing or dampstaining, and beautifully retain their original rich tonal depth.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eThe Rosebud Reservation Census and Frontier Photocompilation\u003c\/h3\u003e\n\u003cp data-path-to-node=\"13\"\u003eThis landmark work represents the initial book-length photographic compilation by John Alvin Anderson (1869–1948), an essential and celebrated visual chronicler of the Brulé Lakota. Having apprenticed under the pioneering frontier photographer W. R. Cross at Fort Niobrara, Anderson established deep cultural and personal ties with the local indigenous populations of Nebraska and South Dakota. In 1889, his technical proficiency led to an appointment by General George Crook as an official U.S. Army photographer for the Crook Treaty Commission, the negotiations of which directly resulted in the dissolution of the Great Sioux Reservation and the establishment of the Rosebud Indian Reservation.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003ePublished seven years after the reservation's creation, \u003ci data-index-in-node=\"56\" data-path-to-node=\"14\"\u003eAmong the Sioux\u003c\/i\u003e captures a critical, complex transitional era in Plains history. In his forward, Anderson explicitly positions the work as an accurate ethnographic record of a \"phase of life little known by the public at large,\" documenting the forced adaptation to reservation infrastructure. The sixteen single-sided plates serve as major socio-political and cultural documents of the period; featured images include \"A Typical Indian Agency,\" a horse-mounted \"Indian Police Force,\" traditional ceremonial gatherings (\"Omaha Dance\" and \"Squaw Dance\"), portraits of \"Noted Chiefs of the Sioux Nation,\" and the stark realities of federal administrative oversight depicted in \"Ration Day\" and \"Butchering a Steer.\"\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"15\"\u003eTechnical Execution of the Albertype and Institutional Scarcity\u003c\/h3\u003e\n\u003cp data-path-to-node=\"16\"\u003eThe technical production of this volume is historically noteworthy for its premium use of the Albertype (or collotype) process, executed by the prominent New York firm of Adolph and Herman Wittemann. As a premium, dichromate-based photomechanical ink process, the collotype matrix relies on the reticulation of light-sensitized gelatin rather than screen half-tones. This chemical technique allowed for a continuous-tone reproduction of Anderson's original glass plate negatives that achieved a depth, contrast, and fine structural detail virtually indistinguishable from standard chemical silver prints.\u003c\/p\u003e\n\u003cp data-path-to-node=\"17\"\u003eBecause these oblong brochures were originally issued as fragile, ribbon-bound travel souvenirs rather than heavy, case-bound books, their survival rate over the past century is remarkably low. A current global sweep of the \u003cstrong\u003eOCLC\/WorldCat database\u003c\/strong\u003e confirms the pronounced scarcity of this title. \u003cstrong\u003eOnly six copies of this true first edition are located in permanent public collections worldwide\u003c\/strong\u003e, marking this specimen as a premier survival of nineteenth-century western documentary photography.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003e\u003cb data-index-in-node=\"0\" data-path-to-node=\"18\"\u003eA SCARCE, STRUCTURALLY COMPLETE NINETEENTH-CENTURY PHOTO-DOCUMENTARY SURVIVAL, CRITICAL FOR INSTITUTIONAL COLLECTIONS FOCUSING ON PLAINS INDIANS ETHNOGRAPHY, FRONTIER EXPANSION, AND EARLY COLLOTYPE PRINTING HISTORY, PRESENTING A PREMIER ACQUISITION FOR RESEARCH ARCHIVES OR DISCRIMINATING PRIVATE COLLECTIONS.\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c!----\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\"\u003e# 001285\u003c\/div\u003e","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":47382122561685,"sku":null,"price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/among_the_sioux_01_20260321.jpg?v=1779670780"},{"product_id":"1913-armory-show-postcard-constantin-brancusi-une-muse","title":"1913 Armory Show Postcard of Constantin Brancusi's \"Une Muse\" Exhibited at the Premier Modern Art Exposition in the United States","description":"\u003cp data-path-to-node=\"10\"\u003e(Avant-Garde Art Interest) (Association of American Painters and Sculptors). 1913 Armory Show Postcard of Constantin Brancusi's \u003ci data-path-to-node=\"10\" data-index-in-node=\"128\"\u003eUne Muse\u003c\/i\u003e Exhibited at the Premier Modern Art Exposition in the United States. New York City: Association of American Painters and Sculptors, 1913. \u003cb data-path-to-node=\"10\" data-index-in-node=\"275\"\u003eFIRST EDITION.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-path-to-node=\"10\"\u003eAn unused photomechanical postcard measuring 5-1\/2\" x 3-1\/2\" (140 x 89 mm) on original tan card stock. Recto features a monochrome halftone reproduction of Brancusi’s sculpture executed entirely in shades of brown ink, with the title and artist credit printed below the image matrix. The decoratively printed verso is likewise executed in brown ink and bears the full exhibition title, \"International Exhibition \/ Modern Art \/ Association of American \/ Painters and Sculptors,\" alongside the official run dates, \"February 18 to \/ March 15 1913,\" and location address, \"69th Reg't Armory \/ 25th St., and Lexington Ave \/ New York City.\"\u003c\/p\u003e\n\u003cp data-path-to-node=\"11\"\u003eThe physical condition of this postcard is graded \u003cb data-path-to-node=\"11\" data-index-in-node=\"50\"\u003eVERY GOOD +\u003c\/b\u003e using the standard antiquarian grading scale for historic ephemera and works on paper; the tan card stock remains structurally rigid and clean, with a minor structural bump visible along the lower edge. The verso displays exceptional typographic clarity, marked only by a single, minute spot of localized foxing near the lower-right corner. The postcard remains entirely unposted, retaining its original, slightly rounded corners and uniform native coloration, presenting as a highly desirable, fresh, and completely unrestored survival.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"12\"\u003eThe 1913 Armory Show, Brancusi's Debut, and Walt Kuhn's Marketing Strategy\u003c\/h3\u003e\n\u003cp data-path-to-node=\"13\"\u003eThis exceptional ephemeral document serves as a direct witness to the landmark International Exhibition of Modern Art—immortalized in art history simply as the 1913 Armory Show. Organized by the Association of American Painters and Sculptors, this exhibition introduced mainstream American audiences to the European avant-garde for the first time, fundamentally shifting the trajectory of twentieth-century American art collecting.\u003c\/p\u003e\n\u003cp data-path-to-node=\"14\"\u003eConstantin Brancusi contributed five works to the exhibition, marking the sculptor's sensational American debut and firmly placing him at the forefront of the avant-garde. While Brancusi initially carved \u003ci data-path-to-node=\"14\" data-index-in-node=\"204\"\u003eUne Muse\u003c\/i\u003e (A Muse) in white marble in 1912, he produced two plaster versions shortly thereafter; it was one of these rare plaster versions that was exhibited at the Armory Show and acquired that very year by Walt Kuhn, one of the exhibition's three principal organizers, becoming among the first works by Brancusi to enter an American collection.\u003c\/p\u003e\n\u003cp data-path-to-node=\"15\"\u003eTo catalyze public interest in these radical new languages of form, Walt Kuhn executed a brilliant word-of-mouth marketing strategy. Rather than treating the exhibition's suite of approximately 53 postcards as mere passive souvenirs, Kuhn distributed them freely to prospective attendees to sample the exhibit’s range of styles. To maximize exposure, a mailbox was conveniently installed directly at the 69th Regiment Armory's exit, encouraging visitors to immediately mail images like this brown halftone reproduction of Brancusi's sculpture to the public, setting off a wave of patrons who would ultimately cement Brancusi’s global reputation.\u003c\/p\u003e\n\u003ch3 data-path-to-node=\"16\"\u003ePublication Series, Institutional Census, and Scarcity\u003c\/h3\u003e\n\u003cp data-path-to-node=\"17\"\u003eAs a fragile, ephemeral survival intended for casual handling or correspondence, individual examples from the 1913 Armory Show postcard series are exceptionally scarce. This specific card represents one of the highly sought-after entries documenting the European modern sculpture contingent, which faced intense scrutiny and curiosity from the period's press and public.\u003c\/p\u003e\n\u003cp data-path-to-node=\"18\"\u003eA current global sweep of the OCLC\/WorldCat database confirms the pronounced scarcity of this title. Only three collections of the 1913 Armory Show postcards are located in institutional repositories: the Northwestern University Library holds a complete set of 53 postcards, the Art Institute of Chicago archives preserve a partial holding of 16 postcards, and the Museum of Modern Art (MoMA) holds an unquantified archival grouping. Individual specimens featuring seminal sculptors like Brancusi appear on the open market with vanishing frequency, making this a premier primary document from the foundational dawn of American modernism.\u003c\/p\u003e\n\u003cp data-path-to-node=\"19\"\u003e\u003cb data-path-to-node=\"19\" data-index-in-node=\"0\"\u003eAN UNCOMMON AND ACADEMICALLY SIGNIFICANT EPHEMERAL SURVIVAL FROM THE HISTORIC 1913 ARMORY SHOW, REPRODUCTIVELY CAPTURING CONSTANTIN BRANCUSI’S RADICAL SCULPTURAL MASTERPIECE \u003ci data-path-to-node=\"19\" data-index-in-node=\"174\"\u003eUNE MUSE\u003c\/i\u003e, PRESENTING A PREMIER ACQUISITION FOR RESEARCH ARCHIVES OR DISCRIMINATING PRIVATE COLLECTIONS DEVOTED TO THE ORIGINS OF THE AMERICAN AVANT-GARDE.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e# 001289\u003c\/p\u003e","brand":"Wallace \u0026 Clark, Booksellers","offers":[{"title":"Default Title","offer_id":47400271544469,"sku":null,"price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/files\/brancusi_une_muse_01_20260604.jpg?v=1780628872"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0459\/2589\/2245\/collections\/motheranddaughterandpottedbulb.01.20230723.jpg?v=1755296999","url":"https:\/\/wallaceandclark.com\/collections\/photographs.oembed?page=5","provider":"Wallace \u0026 Clark, Booksellers","version":"1.0","type":"link"}