A Manuscript Christmas Card From Sylvia Plath to Alan and Nan Jenkins [Dec. 1962] Signed "Sylvia" Less Than Two Months Before Plath's Death By Suicide
A Manuscript Christmas Card From Sylvia Plath to Alan and Nan Jenkins [Dec. 1962] Signed "Sylvia" Less Than Two Months Before Plath's Death By Suicide
A Manuscript Christmas Card From Sylvia Plath to Alan and Nan Jenkins [Dec. 1962] Signed "Sylvia" Less Than Two Months Before Plath's Death By Suicide
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  • Load image into Gallery viewer, A Manuscript Christmas Card From Sylvia Plath to Alan and Nan Jenkins [Dec. 1962] Signed "Sylvia" Less Than Two Months Before Plath's Death By Suicide
  • Load image into Gallery viewer, A Manuscript Christmas Card From Sylvia Plath to Alan and Nan Jenkins [Dec. 1962] Signed "Sylvia" Less Than Two Months Before Plath's Death By Suicide

A Manuscript Christmas Card From Sylvia Plath to Alan and Nan Jenkins [Dec. 1962] Signed "Sylvia" Less Than Two Months Before Plath's Death By Suicide

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(Plath, Sylvia) A Manuscript Christmas Card From Sylvia Plath to Alan and Nan Jenkins [Dec. 1962] Signed "Sylvia" Less Than Two Months Before Plath's Death By Suicide. [London]: Sylvia Plath, [Dec. 1962]. The greeting card measures 4-1/8" x 5-5/8" and is encapsulated for preservation within a 10-1/8" x 6-5/8" plastic PSA/DNA archival holder (Certification No. 85788179), which authenticates the manuscript. The complete holographic text, penned in Plath's hand, details her brief period of optimism upon moving into W. B. Yeats' former residence at 23 Fitzroy Road, London, noting that "life has been heaven" and detailing the joy of her children, Frieda and Nicholas, alongside her evening routine of "painting floors to Bach cantatas at nightfall."

The physical condition of the item is graded NEAR FINE (utilizing the standard antiquarian book grading scale for works on paper). The card exhibits minor spotting, but the handwritten text remains entirely legible, bold, and well-preserved within its protective archival encapsulation.

The London Transition and the Domestic Vignette of Fitzroy Road

This poignant holographic document captures a fleeting moment of domestic tranquility and forced optimism during one of the most tumultuous periods of Sylvia Plath's life. Following the bitter collapse of her marriage to Ted Hughes, Plath closed her Devon home, Court Green, on December 9, 1962, and relocated with her young children to the London flat once occupied by W. B. Yeats. This card, addressed to Alan and Nancy Jenkins—the parents of her trusted children's nurse, Sue O'Neill-Row—serves as a heartbreaking artifact of self-soothing and domestic reimagining. Plath explicitly credits "blessed Sue" for securing the flat and paints a vibrant portrait of maternal peace, describing her children peering out at pony carts and her frantic energy spent readying her new home. In reality, this domestic veneer cloaked a profound psychological struggle, as Plath contended with severe isolation, historic winter conditions, and the clinical depression that would lead to her suicide on February 11, 1963.

Ephemeral Preservation, Census, and Market Scarcity of Late Plath Holographs

Autograph material from the final months of Sylvia Plath's life is exceptionally scarce in commerce, with the vast majority of her late correspondence permanently institutionalized within major repositories such as the Smith College Special Collections and the Lilly Library at Indiana University. Ephemeral items like greeting cards carry an inherently high structural fragility factor, making their survival outside of institutional custody rare. This specific card boasts an unassailable provenance, passing from the recipients Alan and Nancy Jenkins by descent through Sue O'Neill-Row. Its market permanence is further secured by this formal third-party authentication and archival encapsulation. Holographic statements that explicitly frame her mindset and physical state ("eating in my old piggish & hearty fashion") just weeks before her death represent a pinnacle of twentieth-century literary rarity, seldom appearing on the open market.

THE PRESENCE OF THIS EXTRAORDINARY, DEEPLY PERSONAL HOLOGRAPHIC RECORD REPRESENTS A CRITICAL ACQUISITION FOR INSTITUTIONAL SPECIAL COLLECTIONS OR EXTRAORDINARY PRIVATE COLLECTIONS DEVOTED TO THE HISTORY OF TWENTIETH-CENTURY POETRY, AMERICAN LITERATURE, OR LITERARY BIOGRAPHY.

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